500 Years A Slave Is Enough

500 Years A Slave Is Enough.

This is so true. Why not have Hollywood donate some money to some Native Americans, who can produce some films about how they triumphed as well.

The whole scene in this country is detrimental to the health of all of us. Mental, physical, emotional, and spiritual health.

Stop your frikken movies.

JC

END PATRIARCHY NOW: MESSAGES IN WOMEN’S MUSIC

newmembers-wijsf13WAKE UP WOMEN. Understand how you are controlled!

The main issue is that women who are not musicians do not consider this an important cause. It is very important because society gets its messages from cultural producers and, if women’s music is not being heard and received, then society-at-large is losing all the way around. While women in other professions make 75 cents to the dollar that a man makes, women musicians only make 64 cents. GET IT? This is how the patriarchy continues – by blocking the messages in women’s music. WAKE UP WOMEN. Understand how you are controlled.

Help us to promote the music of women composers and musicians, who are terribly marginalized in the $27.5 billion music industry.

Did you know that, although women pay 53% of the taxes on Earth, only 1-5% of public funding goes to women musicians and their musical projects?

This is UNACCEPTABLE and it is the MAIN reason why society is off kilter because the messages in women’s music are not being heard by the masses that thrive on disturbingly violent video games, TV, film, and cable programming, loud and womanizing popular music, and overall patriarchal ideas.

If we as women do not promote our endeavors, who will? Join us in our mission to promote women musicians, globally, www.wijsf.com/mission.htm – www.wijsf.com/join.htm –

WAKE UP WOMEN. Understand how you are controlled!

This article discusses why women will not support each other in an effort to end patriarchy.

http://www.angelfire.com/ok/4equity/m2.html

MUSICWOMAN MAGAZINE Launch

15 years in the making, MUSICWOMAN MAGAZINE is the brainchild of composer and vocalist Joan Cartwright, founder of Women in Jazz South Florida, Inc. and host of MUSICWOMAN RADIO, in the 7th year of featuring women who compose and perform their own music and men who support them.

Ms. Cartwright is an author of 10 books, produces concerts and events, researches and documents women in jazz and blues, and in music, in general.  She is a noted composer, having two CDs of her own and three compilation CDs with 27 women composers, released in 2011, 2012, and 2013.The articles in this publication will reflect the lives, work, and passion of women like Ms. Cartwright, who claim music as their profession.  Authors, journalists, photographers, musicians, critics, and fans are encouraged to submit articles to the Editor.Also, we encourage any and all advertisers to see our RATE SHEET and inquire about advertisement in MUSICWOMAN MAGAZINE.

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Stealing the Blues

The account below about the origin of Memorial Day serves to support my contention that these books should be required reading in High School because they tell the truth about how Africans in America survived the horrors of slavery through music and how their music has been copied and commercialized by white producers and all but ignored by black people.

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One of the things that most black people know is that the public school system does a horrible  job teaching black history. They will gladly tell you all the wonderful things that white people did and maybe even go back to Europe, but the contributions of African Americans are kept entirely on the back burner. [Source]

A fact that you should probably know is that African Americans are the reason that Memorial Day even exists in the first place.  According to Professor David Blight of Yale University, the event began on May 1, 1865.  A group of former slaves in Charleston, SC gave a proper burial to 257 Union soldiers who’d been put into a mass grave.

The black community of Charleston then consecrated the new cemetery with “an unforgettable parade of 10,000 people.”  The event was initially called “Decoration Day” and was led by 3,000 black school children who started off by singing the song “John Brown’s Body.”  They were then followed by hundreds of black women with baskets of flowers and crosses.  After that, black men marched behind them in cadence, followed by Union infantry.

The Union soldiers lived in horrible conditions, and 257 of them died from exposure and disease.   This was the reason for the creation of the mass grave site.  A total of 28 black men went to the site an re-buried the men properly, largely as a  “thank you” for helping fight for their freedom.

They also built a fence around the cemetery, and on the outside, put the words, “Martyrs of the Race Course.”

Dr. Boyce Watkins, who created an online course based on a forum held with Minister Louis Farrakhan last month, says that this is simply the tip of the iceberg.  He says that misinformation is one of the most storied weapons used to perpetuate the oppression of black people. 

“Black people must, as part of our healing, go back and rewrite history to ensure that we learn the truth,” said Dr. Watkins. “You’ve been lied to for your entire life, so it is up to all of us to use the Internet as a critical resource in helping us to learn who we truly are.  We are great people and America would not be the country that it is today without our sacrifice.”

Now you know the rest of the story.  Go tell this one to everyone you know and consider acquiring and reading the books posted above.

Getting funded

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We’re on a mission to take our ensemble on tour. Help fund our project by clicking the link below and donating $1, $5, $10, $100, or whatever your heart guides you to GIVE to support women musicians, today!

We are an 8-woman ensemble of seasoned musicians: 3 vocalists, piano, bass, drums, sax, and a dancer – telling the stories of women in blues and jazz from Gertrude “Ma” Rainey, Alberta Hunter, Bessie Smith, and Ethel Waters to Marylou Williams, Marian McPartland, Peggy Lee, Lena Horne, Nina Simone, and more!

Each show is $2,500, in our region (South Florida to Naples). This presentation has educated and entertained thousands of students through grants, since 1997.  It has grown to an ensemble of women steeped in jazz and blues music.

Your contribution can start a trend of supporting women musicians in their performance endeavors.  We thank you, in advance, for taking the time to explore our project and giving to our cause of preserving the stories of women in blues and jazz.
http://www.usaprojects.org/project/amazing_musicwomen_ensemble

Since 1997, Joan Cartwright has presented Amazing Musicwomen, either alone or with piano accompaniment.
Now, Joan has 7 women joining her in this presentation. They need funding to go on tour. Help by donating to this project.

http://www.usaprojects.org/project/amazing_musicwomen_ensemble
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